Watchet and the Quantocks

I busked in Watchet on the edge of the harbour, looking out over the Severn estuary towards Cardiff and up the Bristol Channel. A small boy of about 5 years of age ran down the quayside and stood right in front of me as I played, staring right at me with a frown on his face and index finger jammed firmly up his right nostril, a pose he held for over a minute. ‘A bright future ahead as a critic for this one.’ I thought to myself. Another child chased a seagull round and round a nearby bench until his mother gave him 20p to drop in my case. The child simply weaponised it and threw the coin at the gull instead, and we all watched as it rolled over the harbour edge into the mud below. I imagined some future archaeologist uncovering it from the sediment, remarking at the placement and declaring it ‘ritual’.

A lady came by with two boxer dogs, one ancient, gnarled, and stoic that calmly lay down near me, and another, barely full grown, nervous and agitated with the music.

“She’s not heard a violin before.” said the owner, encouraging the young dog to calm down. I stopped playing, and it crept out from behind her legs. I plucked a note, and the dog howled.

“She’s got to learn.”

I played a few bars, and the poor animal produced a full-on river of piss. It seemed best to let it on its way before trying again.

Once the dog was suitably clear, I played on. A customer at the bar along the quay arrived with a pint of beer for me.  A young lad watched for a while and produced a fiver. It was a good session.

I’d picked a spot quite close to the statue of the Ancient Mariner, the fictional lead in Coleridge’s epic poem, inspired by this very spot. Further along, another statue was seated looking out over the harbour, that of Yankee Jack, a noted mariner who definitely had existed. He was life-size and weathered, blending in with the landscape of the harbour. Another fiver came my way, this time from a lady who introduced herself as Margaret and said I should check out a pub called ‘Pebbles’ as it often had live music on. I said I knew of it, as I was booked to play a concert there this evening.

“Oh.” Said Margaret. “I suppose I’d better go then.”

Pebbles is a cider pub, snug and homely, and I’d been invited to play a few tunes and tell some stories from my trip so far. There was a PA system, but I found I didn’t need it, as the audience comprising a mix of regulars and people who’d come down specially for the concert sat in perfect silence, and we had a great night. Ben, the landlord, insisted on showering me with hospitality, and when he saw I couldn’t drink all the free cider, owing to needing to drive, chose a selection of his favourite bottled ciders for me to take away. It’d been a long day but a great start.

A man at the bar was keen for a word.

“You need to understand when you write about us, this is a town by the sea, not a seaside town. Understand? No fruit machines, no ‘kiss me quick’ hats.”

“Sounds like there’s a gap in the market.” I mused. He was scandalised.

I arrived at Watchet station bright and early the next morning. The bearded volunteer was just unlocking the building, and was concerned to see me parking in the station car-park.

“Are you travelling with us today?” He asked with scepticism.

“Yes, mid morning if that’s ok.”

“You’ll need to buy a ticket.”

Clearly in my heavy metal hoodie, he did not take me in good faith as a real railway enthusiast, so I decided to raise the stakes a little.

“Do you still have the 7F?” This was one of a class of heavy freight locomotives built for the Somerset and Dorset railway, one of which I knew to be owned by the S&D Railway Trust, who are based at Washford, the next station along.

“I’m not sure, I think so.” It was enough and he left me alone. I went for an early morning wander around town before my train. The atmosphere was different with the tide reaching the top. The tidal range is huge here, the second largest in the world, and the sea that had been distant and meek was full and menacing, slurping restlessly at the harbour walls in opaque muddy thrusts.

Along the pier, evenly spaced, was a row of fishermen with long and expensive rods cast out into the brown and chopping water of the estuary. One recognised me.

“Saw you in Pebbles last night. It was good. Sticking around today?”

“Reckon I’ll catch the train to Dunster and then back here late afternoon.”

“Good plan. You’ll do well in Dunster.”

“Fishing any good today?”

“Not really, too choppy. Don’t expect we’ll catch anything.”

“So why bother?”

“Gets you out of the house and near the sea. On a good day you can catch dogfish, conger eels.” His view never left the estuary as we spoke.

Further along, three lads had rave music on loud from a portable speaker, and were working through a crate of Strongbow. They hadn’t caught anything either, but were clearly enjoying the early morning, boogying away, rods set. They hollered at me as I went past with my fiddle case, but I gave them a breezy ‘Good Morning’ and they ignored me as no fun. Each fisherman along the length had a small pile of seaweed that’d been reeled in instead of fish.

I admired the determination to keep going, even though conditions were all wrong. The activity more important than the prospect of success. I’d had more than a few busking sessions that way. Back on the quay, the fishing rave was carrying clearly across the harbour, so I abandoned any ideas of a warm-up busk and bought my train ticket to Dunster. In the coffee shop I was recognised again.

“Nice gig last night. Took some pictures, let me know where to tag them.”

I was small-town famous.

On the platform, a family were struggling to come down to the Somerset pace of life, still being stuck at London speeds. I overheard their frantic flow of words.

“I wanted the restaurant for 6:30 but they only had 5:30 or 7:30. What shall we do? Shall I try somewhere else or should we go tomorrow instead?”

I realised how I’d already slowed down. There’s no hurry to be anywhere round here, and all times are approximate. If this sounds like I’m accusing the Somerset native of laziness, then you are mistaken. All the work gets done, just steadily and cumulatively, when the time is right, rather than to an arbitrary timetable. The family near me hadn’t found the pace yet, and were still frantically tearing through life.

I was reading Tove Jansson’s ‘The Summer Book’, a semi-fictional account of a little girl and her grandmother spending time together on an island in the Gulf of Finland. The pacing was perfect for my setting and I enjoyed the gentleness of the writing and didn’t care how long it took for the train to arrive.

“They picked out the stones that hadn’t been worn completely round and threw them out into the water to make them rounder.”

Somerset is a good place to find time to read again.

Slowly, the platform came to life with expectation. Small boys still love steam trains. Why? Nostalgia can’t account for it. Even their parents can’t remember when steam trains were in regular use. One hard to reach child was within himself, not responding to anything his mum said to him. When the distant whistle of the train came over the hill, he sat upright and beamed. “A train!” His mum beamed too.

Perhaps it’s just that they are living, breathing things. An event upon arrival, an expression of effort upon departure, the smell of steam oil, nutty and sweet, and the shower of black bits that get in your eyes when you try to look out of the window. A cumulative, society wide belief that they are important and somehow quintessential. I’m smitten, for sure, and have largely resisted the temptation to turn the whole project into a train-spotting session. But this one was going where I needed to go, so why not?

“The funniest thing,” said the station master to me, as the train came into the platform, all shining brasses and action, “is watching people look for the push buttons on the carriage doors.”

Increasingly, station staff have to go up and down the platform, helping people deal with slam door coaches. Nobody knows now how to lift the window up and out of its socket and reach out to the turn handle.

“They’d be stuck on all week if we didn’t help.”

At Dunster, we all dutifully watched the train on its way like good tourists, before starting the walk into the village. At the station, the staff have adopted a robin, and it lives amongst the period suitcases with a bowl of food and a bowl of water, hopping between perches. It looked rough, with bald patches and scars, like a boxer who should have retired ten fights ago. Sometimes other robins come to fight it and the station master chases the invaders away with a broom.

Dunster itself is pretty and it knows it. A broad main street leads up to the castle driveway. I busked outside knick-knack shop that was closed for the day. A concerned shopkeeper from down the road came to see me.

“You can’t do that, you’ll be in awful trouble.”

“Really, why?”

“Well, it’s not allowed, is it?”

“Busking? Unless there’s a specific bylaw, then surely it’s ok?”

“You could go in there, that’d be ok.” She said, pointing at the Yarn Market, a beautiful covered building, owned by the National Trust, and the one place where I knew I couldn’t legally busk.

“I prefer it here. Seriously, it’ll be ok. Look, if the problem is that you’d rather I wasn’t busking, but you’re too polite to say so, then I’ll just move on. I don’t want to annoy anyone.”

“Oh no, it’s fine, I just don’t want you getting in trouble.”

I assured her that I knew the busking laws pretty well and I continued. Sometimes the street was silent and the sound rang all up and down, and sometimes rows of cars came along and the sound of exhausts and tyre noise dominated instead. A long line of motorbikes came by, parking up at the top of the village. The black-leather clad drivers gathered in front of the yarn market for a team photograph before dispersing into the many tearooms for lunch.

I made £20 in the first hour, but it died right down during the next half hour as the sun reached its zenith and the flow of people stagnated, so I went for lunch. Round the corner of the castle hill is another street with a few shops, a sort of overflow town. Right at the bottom was a rough looking pub, quite out of keeping with the picture postcard loveliness of the rest of it. The landlord had a world weary approach, and lunch was rough-hewn baguettes and catering chips served by an awkward youth. The next table was taken by a family from Birmingham who couldn’t get over how long a drive it had been to get down here for their holiday.

I could hear a parrot, so pretending to go to the loo, I sought it out in the back yard and taught it a funny noise.

Dunster had used up its appeal to me. All very pretty but not much life to it. If you like a Ye Olde Teashop or buying original oil paintings, then you could get a morning out of it but that’s it. It’s a place that trades on how it looks. Watchet was a place that traded on who it was, and that was more interesting to me. In Dunster, I’d been met by bemusement when I’d busked. It just wasn’t the done thing. It’s always the same with these slightly faux places. There’s nothing wrong with the people who are here, but they’re all so similar, drawn for identical reasons, and the town is consequently lacking the variety of more worldly places. The residents, all alike, forget about the great variety of life, and can’t cope when something different comes by, becoming concerned and agitated at the disturbance in their ideal world. All morning I’d felt like I was winding them all up but that they were too polite to ask me to go away.

As I walked back to the station, a man stopped his car across the road from me and wound down the window.

“Are you heading to Minehead?”

I recognised him as another one of my audience from last night’s gig.

“No, back to Watchet.”

“Want a lift?”

This was a kind offer, but I had a return ticket for the steam train, so I said I’d rather catch that.

“I’ll see you back in Watchet then!”

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Back in Watchet, I busked again on the quay. The ancient mariner looked down at me like I was making a bad day worse. My fan arrived. It was a bit odd to find busking turning into a little concert, so I tried to pretend he wasn’t there and just played as normal. After a while he bought me a coffee.

A small ginger girl with freckles and stacks of confidence sat on the wall next to me and told me I was better than her music teacher.

At 5pm, I took my loot to Pebbles and swapped it out for bank notes.

I was staying as a guest of Halsway Manor, National Centre For Folk Arts, who’d invited me down for a few days. Rachel showed me round. I was drawn to the apple tree, a local variety, the Quarrenden, down at the bottom of the lawn. It was speckled with hundreds of ripening red apples.

“It’s probably the most wassailed apple tree in England.” Rachel told me. “No wonder it does so well.”

I helped myself to a windfall, warm from the sun, and looked back at the manor, framed by trees against the sheer sides of the Quantock hills. It’s a place that wears its seasons well, now in the deep greens of late summer. Soon the autumn golds and reds will flush the landscape and garland the manor, before falling to bare branches and exposing the jet black bodies of rooks who lived within.

About two miles down the road is the small village of Crowcombe, and I headed out of the evening to see if I could meet the locals. The footpath was clear and easy in the fading light, and I noted the fallen tree for my journey back. The Carew arms is at the far end of this slender village, the pub long and lanky too, with a skittle ally and a dining room stretching away from the bar. The door to the bar wouldn’t open, so I gave it a beefy shove and sent a young fellow on the other side flying. It was his sister’s birthday and he was barring the door whilst the cake was brought and she was outside, not expecting a strapping lad like me to suddenly stride in from the darkening wilderness, full of determined, thirsty purpose.

The rest of the pub was quiet. It’s the dining trade that keeps the lamps burning these days, and most diners were fed and leaving, so I sat at the empty bar with Rachel’s copy of ‘The Rime of the Ancient Mariner’ and read it, trying not to look too much like a twat reading poetry at the bar. Not having much of a classical education, I’m mostly familiar with this work from Iron Maiden’s version on ‘Powerslave’, their fifth studio album. It’s quite a work, full of emptiness and endless misery. I admit I struggled with the meter,  which was relentless and unchanging, forcing some pretty desperate rhymes to make it fit. I couldn’t help but feel it would have made a better story than a strict tempo poem. But I hardly know enough about poetry to be a critic. I think I’ll stick with Iron Maiden.

Without a great deal else to do in an emptying pub, the landlord struck up conversation with me, asking me why I was in town. He was from Georgia in the US, having ended up running a rural Somerset pub by a series of events and coincidences. I explained my journey and interest in the English character. A regular, perhaps my age, had joined me along the bar with a pint of lager, and the landlord threw the point over to him, asking;

“What do you think of yourself as an Englishman?”

This was heavy philosophy for a bloke who’d come out for a quiet pint and his eyes bulged in fear at the enormity of the question. Before he could answer, his phone suddenly rang in his hand.

“Thank fuck for that!” He said, answering it.

The landlord had some stories to tell. He’d worked with horses in the states.

“It costs a lot to dispose of a dead horse. We knew a man with a ranch who’d allow you to bury them on his land for half what the professionals charged. You turned up with the dead horse, took the mechanical excavator into the land and picked a spot. He’d got so many buried you usually had to dig four or five holes before you found a spot without one in already. There were thousands buried out the back there. Imagine the trouble if they develop the land one day.”

He was a passionate supporter of gun rights.

“Hey, I carry in the states. It’s saved my life. Ran out of gas in a bad part of town. I was filling up, and this man was walking round my truck, saying ‘So you’re pretty rich then?’ I was like, ‘no, not me.’ and he pulled a knife on me anyway. Well I had my gun and I held him there till the police came. He’s in jail now and I’m alive. Problem is they just want to take the guns off people without involving us in the decision.”

“The thing we see though,” I asked, seeing if there were limits to his position.  “Are those really big guns, the semi-automatic stuff. Do you really need to have all those?”

“Aw yeah, I don’t see why anybody needs to carry more than say 12 rounds. But they need to talk to the NRA and groups like that. If they just try to take the guns, there’ll be violence. You can’t do it by just banning them. Everyone needs to be involved”

If anything summed up my journey around England, it was perhaps this scene. You think you’re going for a pint of cider with West Country folk, and you end up in a discussion about the second amendment with an American. Everything is so jumbled up, people from all over searching for the spot in England that suits them best. Quintessence can be bought into for a little while. England still the same hills, villages, towns, as a complex river of life flows through. Every time you think you’re within reach of the ‘real’ England, something totally left-field happens that reminds you of how cosmopolitan and international we are. And yet, England bubbles along beneath, quite unreadable and aloof.

I made my way home in darkness, leaving the last house of the village behind and along the footpath in the trees. Truly dark now, I enjoyed letting my eyes find the rough shapes of the land round me. We forget how good we are at the dark, and how even a sliver of moon becomes enough to paint the world anew when we’ve truly let our eyes adjust. My frame cast a broad shadow on the hedges. Crickets sang, and the night became friendly and welcoming, a new space to share.

As I carefully made my way up the track, I startled a horse at a gate, who had clearly not been expecting anyone at this time. It humphed and reared and circled the field in protest, before standing in front of a distant gate on the brow of a small mound, staring back at me, silhouetted and impossible to scale against the star filled sky and between two walls of foliage. I said hello, hoping to reassure it I was friendly. It watched me, and I watched the horse, a colossus against a secret sky, and time passed without measure. A shooting star came through, right above the mound and the moment was complete, watchful horse and skyline just shapes, but more powerful for being reduced so.

The thing about shooting stars is how common they are. But we forget to look, smearing the urban skies with the marmalade orange of sodium and staying indoors. The night has become a place avoided and reduced, where the imaginary bad things happen. Those few moments when we see the shooting stars, lain on our backs among the vines and turf with someone we love, or on a solo adventure through the night, it proves it’s not the stars that are rare, but our taking of time to see them. It’s the most beautiful show of all, almost unwatched.

The moment lingered, and I became aware of the warm and physical presence of second horse much nearer me, and lost to my eyes in a hollow that kept the darkness rich. It had its arse to me and was untroubled by my arrival. It let off small farts from time to time. The moment had lost its magic and I finished the walk back to the manor, cursing the security light that ruined my night vision, robbing me of the safety and connection to the land it had brought.

In the morning, I’d planned to walk the Quantock Hills, where Coleridge and Wordsworth had walked as they overdosed their way to the birth of romantic poetry. Rachel, as ever my guide for the area, had sorted me a map and drove me to Nether Stowey, across the hills, as a starting point. As we arrived, she had a moment of concern, and double checked that I knew how to read a map. Clearly she had suddenly had visions of me wandering off into the woods, falling into the fairy kingdom and passing into legend, before bursting from the leafy verges decades later, entirely covered in hair and shouting something almost unintelligible about pastry.

I assured her I’d be alright, and piled off into the countryside, round the castle mound and into the woods. Wordsworth and Coleridge had been full of opium on their wanderings. I was full of sausages. I’d have to do my best. The gentle hills came and went and added to something greater. The thick summer air balanced dragonflies on the wing, common darters, southern hawkers, common hawkers. Lambs came to gates and pressed their faces through in expectation of remembered bottles. Higher up, the trees rose and met above and the world became mottled light falling on a pick and mix ground of twigs and decomposition. A tractor stormed through, towing a grain holder, and I had to step back from the track.

I left the track and took the path up further, surrounded by a gentle wildness. A single and momentary ray of light, permitted by the movement of a single leaf far above, picked out a floating jewel before me. It was a glimpse of a web, strung from two trees ten feet apart, and built by a spider the size of my little finger nail. How this creature had conceived such a magnificent plan I couldn’t work out, let alone the logistics. I tried to photograph this spider, hung across my path and so far from the solidity of the land and the trees, but it wouldn’t focus, only seeing the distance. A gentle reminder that a special moment shouldn’t be carried home like some cheap trinket. Alerted to the net across my way, and being prey too big to stick, I crashed my way around the outside on the rough ground instead and wished the spider well with its day. The web told me I must be the first through.

Every day the world is born anew, and each traveller will find their own unique story to share, if they look carefully enough. The glittering citrines of woodland predators, disguised in dappled shade. I caught the stench of a stinkhorn mushroom and found it, dishevelled and declining behind a mound, phallic and foul. Ground dwelling spiders dug into a bank, lining nests with cones of silk, funnelling lunch inwards for minimum effort.

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The top of the hill was still under tree and sky, and the banks of the ancient hill-fort were harder to spot, smoothed by the loam of millennia. But the shapes do resolve , the walls taking the logical rim of the summit. It’s a strange slice of life, between the earth and under the canopy, where the twisted and narrow trunks reach up from poor soil to grab what light they can, the lower part of the tree barren and wasted, and each view a spaghetti of greying wood, where the modern mind, grown in cities and used to regular shapes and good order tries to find a symmetry that cannot ever quite resolve.

Clouds of flies rose from puddles as I came through, and unsure what to do next, they sank down again to wait for the next disturbance. I crossed through the valley to the next ridge. Here, cars were parked, and people of all sorts were making brief excursions from the safety of the vehicle to the worrisome edge of the wild.

One family were on bikes and I heard the father speak with that voice that tries to exude control of the situation but manages instead to sound petulant;

“I’m simply trying to resolve the issue.”

Another family, Asian, had gone far enough.

“I’m not walking another step away from the car. The ground is no good and I’m tired.” said the frustrated patriarch, sitting down.

Clearly the ridgeway was not the calming outdoor space it might have been. It’s only the great escape if you don’t bring your problems right along with you for the ride. Up here, beyond the rounded tops of the Quantocks was the nuclear power station at Hinkley Point, an inexhaustible outcropping of jumbled cranes and grey concrete, as hard to scale as the horse had been in the blackness of the night. I wondered what the great poets might have made. Perhaps Wordsworth would have turned his back and drawn inspiration instead from Exmoor, still mostly untouched, whilst Coleridge would have said nothing of it, but let it return as a nightmarish visitation, feeding off the discord.

Wild horses stood in groups of two or three, and I was able to walk right up to them. Clouds of flies thrived on their juices, rushing for the eyes, stacking up over each other to drink where the liquid pools up in the corner. The horse has no defence and must suffer them in thousands every midsummer, wretched and countless.

The ridgeway continued, and at Halsway post it splits. I ate my lunch beneath a kestrel. It’s a landscape that encourages an interest in smallest details, where you get on your hands and knees to look a spider in the eye inside a burrow, and the widest vistas, from nuclear seaside to Exmoor tops, where you yourself are the little detail being boggled at by buzzards and kites. The Lake District is only about the big. The small is gone, industrially farmed out of existence. It is a big, beautiful, broken landscape. The Quantocks marry the infinite with the microscopic and everything between. A painter with a giant canvass couldn’t catch it all, and the finest magnifying glass would always leave some passionate and essential detail undiscovered. It is a world of infinite perspective, where each can find their own moment.

I scrambled down the steep bank to Halsway and returned the map, before visiting the lucky Quarrenden tree for supplies for my route north. In Watchet, I tried one more busk with it being market day. The town crier recognised me, having, almost inevitably been to my gig at Pebbles, and announced me with gusto to a public who didn’t care. It failed as a spot, too busy, the melancholy magic of the quiet harbour gone, the anonymity shattered. Yankee Jack was marooned between a fudge stall and a wood carver, oddly decontextualised and clearly bemused with his situation. I left Watchet and the Quantocks for the long drive home.


Thanks for taking the time to read this. My travels round so far have been entirely funded by what I make as I go. If you’ve enjoyed it, and would like to support me as I do this, please consider making a paypal tip to tom@tomkitching.co.uk or through the button in the archive – link here.

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Treat it as you would a busker — a few coins in the hat all add up. Everything I get from this will be put back into the project. Ta!

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West Cumbria

I got up to West Cumbria early enough that I had time for a busk in Workington, a town I thought I knew well from over a decade ago, when as a naive young musician I’d headed up with Gren Bartley to make our first professional album with Fellside records. It had been hard work, and nervous and inexperienced I’d struggled with the recording sessions. Paul Adams, running the show, had seen it all before, and seeing me flustered had pressed a respectably high value bank note into our hands and ordered us to go and get a pint. We’d set off into a gloomy and depressed former coal and steel town, where what few pubs survived were populated by a handful of unemployed and introspective men in string vests.  Workington was going through hard times, and had an empty, haunted sort of feel about it.

13 years later and a lot had changed. I parked my car in the canyon between the two sports stadia, Borough Park and Derwent Park, home to Workington Reds football club and Workington Town rugby league club respectively, twin examples of glorious lower league dilapidation. Plans for a new and modern ground for the clubs to share had recently fallen through yet again, and these venerable old heaps of corrugated iron would continue to be pressed into service, fighting back against the salt sprays that blow in from the harbour and corrode the steel pillars.

So far, so familiar. My favourite building in Workington has always been the oversize bus station, a towering shape made more impressive by the open space before it afforded by the demolition of neighbouring buildings. With a clear sight line at it from the junction, it looked like a slaughtered whale dragged up a ramp. It has a blue plaque that proudly notes that it was the first purpose built covered bus station in the UK, opened 1926. You get your civic pride where you can.

Workington town centre had changed massively, though.  Where a smattering of shops had done their best to hold it together on dingy streets, now a smart new shopping zone had been built, airy and spacious and with a good vibe about it. A child in a buggy emerged howling from a cafe through the net of dangling chains like a big reveal on a makeover programme. I picked a spot on a pedestrianised T-junction and played. The sun shone and I did well. One young boy even gave me a fiver, which astonished me. Things had certainly improved in Workington if a schoolboy could spare that kind of cash.

I was facing the ‘Lookout’, a strange combination of clock and sculpture. Shaped something like a crane on top of a big stainless steel ball, the long arm rotates once per hour and gives the time against a series of markings on the floor, before periscoping on the hour to project images onto boards. It was running 13 minutes slow, which troubled me. I’m all in favour of public art, but if you’re going to make one with a practical element it should work properly. It looked to me like something of an overextension of ambition. I imagined it was probably hard to correct and it had just become simpler to let it run to its own timetable. Perhaps this dysfunction was intended, a disguised satire on West Cumbria, a place living in its own time. More likely there just hadn’t been quite enough thought put into the time-keeping part of the design, which would have required both engineering skills and a sophisticated understanding of how a minor public body might be likely to maintain it after the installation.

If I lived in Workington, I know for sure I’d be that guy who measured it every week, and wrote letters to the paper when it wasn’t right, until everyone on the council hated me. Such objects bring out my obsessive side. At 4pm, or 3.47pm Workington time, I packed up and headed out.

Wonky timekeeping aside, the town centre redevelopment had been a success and Workington had the feel of a town getting back to its feet. My previous visits had coincided with the final end of the steel works and the lowest ebb of the economic decline. With a more diversified economy, things now seem to be improving.

But this was just a short visit, as I’d been invited to a really special event, the Cumbria – Rungwe Community Link Ceilidh.

Since 1987, there has been an exchange programme between West Cumbria and Rungwe, a rural district in South Western Tanzania. My friend Mary has been deeply involved in this for many years, and had invited me to the final night’s celebrations at Calderdale village hall. This invitation wasn’t just for my benefit, as she’d organised a ceilidh and was short of a tune player to lead the music, a role I was glad to accept.

The exchange works on a two-year cycle, this year being the turn of a group of Tanzanians to come to West Cumbria for three weeks. The planning had been extremely difficult. Getting visas for the group had been a particular challenge. Mary told me that the application forms effectively acted as filters to prevent poor people visiting the UK, as many of their demands were not easily achievable if you don’t lead a rich, Westernised sort of life. Obligatory boxes like having a personal postal address were tricky to sort. But sort it they had, after the burning of much midnight oil.

Even having got the visas, the group had been questioned at great length and with some hostility at the airport. Valentino, one of the Tanzanian group leaders told me later;

“They had so many questions, why are you here, when will you leave, even though they knew the answers.”

The youngsters had certainly never made a journey like this before, a day across land before the flight, and tired and overwhelmed, were genuinely upset by their treatment.

“Then at last they let us through, we came round the final corner and Mary and everyone were waving Tanzanian flags and we were so happy.”

The ceilidh was a great success. We did a couple of British dances, then the Tanzanians would lead a couple of their traditional dances, in this case step dances, singing the music as they went with the kind of freedom that comes from being unafraid of a few imperfections. In our highly media saturated world, we’re constantly surrounded by flawless, autotuned music and song, and the sound of voices raw and confident, just going for it, is now a rare one. In Tanzania, it seems, music is just what you make with your friends and family and there’s no sense of judgement, perhaps as we might once have gathered round the piano. People here are often afraid to stick their head above the parapet and just play, fearful of falling short of an impossibly high standard. Music retreats from the commonplace and belongs to the specialist, its broad social function lost.

The Tanzanian group sang beautifully, full of passion and rhythm, and it was infectious. Everyone joined in, except the local teenage lads, who stood outside the circle with beers they were just learning to drink.

“Too cool to join in.” I’ve heard it said of lads like this. The opposite is true. It’s a very awkward and judgemental period, being a teenager, and most of these lads would have loved to join in and dance with freedom, but felt unable to. Not cool enough is the sadder truth.

Half time brought another highlight, as Mary introduced a gurning competition. Gurning is a big deal round here, with the world championships taking place in Egremont each September as part of the Crab Fair, an event that has been happening for at least 800 years. The gurning itself takes place through a horse-collar, or “Braffin”, and points are awarded not for the ugliest face, but for the biggest difference between faces before and during. Being naturally ugly is something of a disadvantage then, as the room for improvement is not so large.

We were lucky enough to have borrowed the genuine Egremont braffin for the evening and I felt a little buzz of excitement at being able to hold such a significant piece of English folk culture in my hands, and staring down at the aperture I allowed myself to imagine the countless appalling faces that must have peered back out of it over the years.

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I rang my sister for advice. She’d entered the world gurning championships several years previously, and although an also-ran, she’d asked the judges for feedback on how to improve.

“Make a performance of it. Look the judges in the eye with your normal, smiling face, then turn away, compose yourself, and put your whole body into it. The best gurners use their body and the shoulders, arms.”

The judging panel was four teenage girls, two from Tanzania and two from the local area. There was no shortage of entrants. My turn arrived about half way through, and I gave it everything I’d got, using a lopsided face that years of petulantly spoiling family photographs had allowed me to perfect. I fell to my knees before the panel, and was awarded 4.5/5 and a provisional share of first place with one of the Tanzanian lads. Competitors came and went and nobody could beat that score, and I began to wonder if the prize might be mine, a 75cl bottle of Konyagi, the sweet gin-like spirit the Tanzanians like to pep their beer up with. Finally as the entrants dwindled, a young local lad called Jack was persuaded to put down his beer and show us how it should be done. With flowing blond hair and an easy smile, he looked a little like the young Robert Plant. He turned away and composed himself. There was a moment of pregnant anticipation before he violently turned back and advanced with menace upon the judging panel, a distressing figure of pure malice. Quite how anybody could suddenly have so many nostrils I am not sure, but this warped and disfigured horror lurched forward and the judges scattered whilst awarding perfect 5s.

I had a chat with him later on, outside for a spot of fresh air.

“They say it’s a cultural exchange but really it’s just an excuse for a piss-up.”

‘Same difference’, I thought to myself.

Jack was from Cleator Moor, where I’d intended to go the next day.

“The best pies are from Wilsons.” We agreed that whoever’s pies you grew up eating were forever after the benchmark against which other pies are judged. For me it had been Tittertons pies on Mill street in Macclesfield, even though the butchers had been gone well over 20 years. I promised Jack I’d try one from Wilsons.

“What’s the employment like round here?” I asked,

“It’s either Sellafield or drugs to be honest.”

“Will you stay?”

“I’m not sure yet.”

I mentioned I’d be busking in Cleator Moor.

“Take your stab jacket.” Jack replied casually, before heading off to a secret supply of beer for a refill.

The hall was a perfectly normal village hall, except for the wall of big red posters, detailing exactly what to do in all circumstances if the nuclear sirens go off. Just two miles away is Sellafield, a gigantic nuclear waste reprocessing plant, West Cumbria’s kill or cure, forcing locals to accept the choice between the distasteful idea of processing and storing half of the world’s nuclear waste, and mass unemployment. The plant provides thousands of well paid jobs and the area needs it. But as well as the safety concerns it’s also an economic time bomb, and closure would hit West Cumbria with a fresh wave of depression just as it looks like overcoming the last. It’s a tough balancing act, an industry that few would want, but that keeps the area alive.

From inside the hall the African voices cut through, a powerful nasal singing tone. The ringleader of the music seemed to be a young Lady called Martha. She knew the dances and had an energy that took the whole dance floor with her. I wanted to ask her more about it, but neither of us really had enough common language to make it work and in the end, she just offered me a fist bump, delivered with total commitment, a heavyweight blow from a 4ft9 woman.

I later learned that she’d lost her mother young, and was fighting tooth and nail to get an education when much of her family would much rather she was married off as quick as possible.

The night went on. Many cans were consumed. The bar was being run by 18 year olds for whom this was their first attempt at such activity. I went to see what they had and found that all they had was lager and gin. I asked if they had any bitter, which caused some head scratching. Later they found me and told me they’d got a crate of John Smiths in specially, which I then felt obliged to drink.

West Cumbria is a little known place. Tucked right round the corner of the Lake District, far off the beaten track, not on the way to anywhere, the decline of industry has rendered this a forgotten corner of England. Yet it’s one I feel I know very well. Many of my best friends are Cumbrians from this very part of the world, drawn to Manchester for work and excitement, and into my world by the music we have in common. I have friends from Whitehaven, St Bees, Cleator, Egremont.

The importance of exchanges like the Cumbria-Rungwe Community Link example is huge. Mary tells me that in many of the impoverished towns and villages, the kids have never seen a black person, and consider they could never go to London for fear of meeting one. Exchanges like this break that prejudice down in the nicest possible way, without criticising or excluding, but by creating gentle opportunity for people to explore and learn.

Too many of our English interactions with the world, and especially former colonial countries are patronising, and measured in terms of what we can do to ‘help’ or make things better. In this exchange, it is a meeting of equals, where both sides grow and benefit without cost to the other.

The midsummer sun finally set and both sides had danced enough. Things drew to an end. I took my can of John Smiths back into the building which was now deeply fragrant with the smell of teenage BO and allowed myself to watch the scene. Clusters of people were forming and re-forming, full of hugs, selfies, and the knowledge of a precious time come to an end. People young enough to still need to learn about that special kind of grief that comes from knowing that someone you’ve grown to love may be someone you never meet again. Tears happened outside, in private, a little later.

Cleator Moor

I’d had it in my mind I was going to busk in Cleator Moor, right from the start of this. It’s just not like anywhere else I’ve been. A town few have even heard of, flung up in a few years to supply the iron industry and consequently not really between any two other places. You’d never end up here by chance, and few would choose to go. Disused railway lines converge on the town, viaducts lost under forests, embankments crumbling, sudden bridges, built to carry mineral trains now long scrapped. One line has become a cycleway, a lycra motorway that misses the town by a few hundred yards, and from which not one cyclist ever diverts to see Cleator Moor.

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It feels like something of a ghost town now, like the gunslinger has come to town and everyone else is hidden. The rows of handsome shop buildings round the main square are largely empty and hollow, save for the odd hairdresser.  The two beautiful civic buildings in the square itself are being refurbished, and the library has temporarily moved out, leaving it even quieter than usual.

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“You don’t want to busk there. Try Whitehaven instead, you’ll do much better.” was a common warning. I didn’t care, and wasn’t in it for the money today. I just wanted to get to know this fascinating little town better. My hosts, Bob and Mary had supplied me with a couple of nuggets of information before I’d left that morning. The first was that Cleator Moor had been the scene of mainland Britain’s last sectarian murder. The second was that in the ten minute walk from the old village of Wath Brow along the high street to the 19th century town of Cleator Moor the accent would change considerably.

This seemed unlikely to me, perhaps it might have been true in the 1850s when the Irish community moved to Cleator Moor and built their town on the edge of Wath Brow, but surely not now, or if it did, a subtle inflection here and there, only noticeable to the locals. I parked at Wath Brow and walked the few hundred yards to Cleator Moor, all one continuous urbanisation now, any border indistinguishable on sight. The accents at Wath Brow were as I expected, broad Cumbrian, a touch like the more famous Geordie accent to the untutored ear, but softer and more rounded.

Along the way you pass by the first of several chip shops. A colony of seagulls lined the roof, waiting for opening time. Chip shops in West Cumbria open for just one hour at lunch time. Miss that and you’ll go hungry. The birds knew this well and were alert and ready, like runners waiting for the starting gun.

I made it to Wilson’s for my pie, which was excellent, and was addressed in a clear Irish twang by the butcher, who was tickled by the idea of someone busking in his town, and made me a free cup of coffee. Outside, I was harassed by a small white dog, whose elderly female owner told it to “Behave yer’sel”. Mary was right. In 2019, the town is still so static there’s a considerable accent difference over the course of 500 yards.

I busked in the main square by the bus stop. There was virtually nobody about, and what few people did come all got on buses for the bright lights of Whitehaven and Maryport. It didn’t matter, I played for the fun of it, and slowly a few coins did come, from old men who crossed the road specially, from children passing by. It was enough to buy lunch at least.

Across the way was a Chinese restaurant which proudly displayed an enthusiastic but cringingly patronising review in the window. “Tommy (he has an unpronounceable Chinese name!) does the cooking.” “I know it doesn’t sound too exciting but it was surprisingly good!” I wondered what possible sequence of events could have brought a family from China to Cleator Moor. Alas, the restaurant was closed for staff holidays.

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I headed back down to Wath Brow, past Sproaty’s chippy, in search of my afternoon’s entertainment.

Where the town finally finishes, butting up against Dent Fell, the last flat piece of land belongs to Wath Brow Hornets ARLFC (Amateur Rugby League Football Club). Normally thought of as a game for Lancashire and Yorkshire, Cumbria’s deep love of rugby league has often gone unreported, with professional sides in Whitehaven, Workington, and Barrow, and numerous strong amateur clubs. Wath Brow are one of the best sides in the country, and were today entertaining Yorkshire rivals Siddal.

I’ll put my cards on the table. I’m a passionate follower of Rugby League, and have been since a very young age, when my father took me to games all over the North-West, starting at the age of six. I carried my own milk crate through the turnstiles so as to be tall enough to see what was going on. My passion for the game has only increased with age, as I’ve come to appreciate the significance that so many of the clubs hold for their communities. Played almost exclusively in Northern, working class communities, rugby league is frequently the one thing that these communities still have to feel proud of when so much else has been lost to the decline of industry.

I was joined by Bob, who’d cycled over from St Bees, normally a rugby union fan, but willing to give this other code a try for the day. We found a shady spot by the opposition dugout on the far side of the pitch and waited for the start of play. The feeling of community was strong around the ground, as a crowd of a few hundred assembled in the sunshine to enjoy the entertainment. Young girls in club shirts practised their tactical kicking in front of the goal posts. Older lads got a couple of pints ahead so they wouldn’t run out during the first half. All generations were represented, bringing family and community together, and a minute of silence was held for a departed friend.

Siddal started terribly, conceding a try within seconds. From the kickoff, they contributed to the wholesome family atmosphere by loudly shouting “Smash the cunt!” as they charged after the ball. It seemed like a predetermined tactic to intimidate the opposition, but sadly for them, they didn’t seem to have a plan ‘B’, and having failed to ‘Smash’ the ‘cunt’, looked somewhat bewildered and uncertain what else to do. Wath Brow were just too good, with flowing set moves, tough defence, and superior discipline.

It became a procession, and the Siddal dugout became an increasingly agitated place.

“You’re all fucking bent, you three!” yelled the substitute to the referee and both his touch judges, leading me to wonder if a player can be sent off if he’s not on yet.

Behind us, Ennerdale opened up into the West Cumbrian plain, wild open hillsides cascading down to this little impoverished but stunning corner of England, locked away behind the mountains and so rarely visited by the tourists who overwhelm Grasmere and Ambleside. Their loss.

I went for a wee at half time. A cancer awareness poster in the gents suggested that I ‘Check my balls monthly’, in the quaint belief there’s a bloke out there who, if left to his own devices, doesn’t check them hourly.

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The second half continued much as the first, and I got chatting to an older lad who told me he’d had a professional trial with Workington Town many years ago.

“We played Salford, back when they were the best. Got stuffed! Loved it though.”

“How much were you on for a match back then?”

“£6 a game. Not much even then! But here’s the thing, they never paid me, so when my trial was up and I wasn’t signed, I went round to the director’s house to get my money. Turned out he’d passed away two weeks prior. Never saw a penny!”

He saw the funny side now, 40 years later.

“Look at them.” He said, pointing to the gaggle of tanked up lads who were ribbing the opposition players for every mistake, winding them up.

“At full time, you watch, they’ll fuck off instantly. They act hard, but they’re cowards!  They’ll be gone as quick as they can in case any of those players decide to take it up with them after the whistle.”

The whistle went and he was right, off they ran to the bar. Rugby League is the toughest of games, played by the bravest men and women. There’s a reason why I’ve always preferred to stay in the crowd. With the win, Wath Brow went top, the highest ranked amateur side in the UK, every player a local lad drawn from this little rugby playing village that hangs off the edge of a small and otherwise broken landscape in the ruins of an industry fled, in a forgotten corner of England. It means everything to them and I can see why.


Usually at this point I hawk my tip jar in the hope of a little extra income, but this time, any tips sent in over the next two weeks (21/07/19 – 4/08/19) will go towards the Cumbria-Rungwe Community Link project. I’ll add them up and transfer them over at the end of that period.

Tip jar is in the Blog archive

Accounts available upon request.

Book announcement

I’m really pleased to announce that I’ve agreed a deal to publish the book part of #BuskEngland with Leeds publisher ‘Scratching Shed’, who specialise in travel writing with a Northern voice, and rugby league. A match made in heaven! We met for a pint at the Leeds brewery tap a few weeks ago and immediately got on. I signed and returned the contract this morning with the same mixture of excitement and nervousness I remember from when Gren Bartley and I got our first record contract from Fellside in 2006. It’s the first time in this project I have a genuine deadline to meet, and it’s amazing just how much gardening one can get done when there’s writing that suddenly needs to be finished.

It’s a long way from here to a finished book, but I’m already starting the process of turning over 40 lengthy blogs into something more substantial and over-arching, as well as still intending to visit a few more places round the country. When it comes to taking time out to complete the manuscript and the album in the Autumn, I’ll open up a pre-sales option so that I have some sort of income while I do the work. I remain enormously grateful for and humbled by the support I’ve received doing this. It’s not just kept me going, but has really made the whole thing tremendously enjoyable and rewarding. Thank you all, again.

The book and album will be released in the spring, with a tour to promote them taking place from mid May. I’ve already booked a dozen gigs in, so if you’d like to see this performed anywhere, please contact me. All venue types are suitable from arts centres to living rooms. It’s an infinitely flexible show.

One thing I am struggling with is a title for the book. If you can think of anything witty and suitable, but preferably not pun-based, let me know. A free copy to you if I choose it!

There will be another announcement about the album in a week or so when a couple of things are finalised.

I’ll be performing selections from this work in progress at these two gigs this summer;

Near Ashby, Leicestershire. Friday August 2nd.

https://www.facebook.com/events/909639119380210/

And; Pebbles, Watchet, Monday August 19th.

Plus, my big podcast recording show in Manchester on Friday September 27th is a quarter of the way to selling out, so please do come along and support me if you can. I really could do with a good showing for this one!

Event details;

https://www.facebook.com/events/391764928110098/

More on Scratching Shed;

“We are an independent publishing company founded over a pint in Blackburn in May 2008, now based in Leeds. Our primary aim is to produce high-quality books inspired by aspects of northern English culture, though in recent years that brief has widened considerably to include several national and international titles and the monthly rugby league magazine Forty20. The company was founded by its current co-directors Phil Caplan and Tony Hannan, a couple of Yorkshire-based authors, journalists and occasional broadcasters. Among our titles is Dave Hadfield’s acclaimed folk book All the Wrong Notes – Adventures in Unpopular Music, with an introduction by Bernard Wrigley.”

Archive

http://www.tomkitching.co.uk/busk-england/


Thanks for taking the time to read this. My ‘Busk England’ project is entirely funded by what I make as I travel round. If you’ve enjoyed it, and would like to support me as I do this, please consider making a paypal tip to tom@tomkitching.co.uk or through the button in the archive – link here.

Blog archive

Treat it as you would a busker — a few coins in the hat all add up. Everything I get from this will be put back into the project. Ta!

Welwyn Garden City

Making my way through the handsome boulevard of gardens that underpin this experiment in town planning, I remembered reading that this was the place that inspired Milton Keynes. As claims go, this is perhaps on a par to being the band who inspired Coldplay.

The main run of gardens continues almost out of sight, the arterial road split either side of it, and thus diminished and subservient to the green space. Branching off to my left at the point where a grand fountain marks the junction, another run of gardens lead up to the combined shopping centre and railway station. This is the town centre, arrayed loosely around the greenery like a much loved and oversized woolly jumper. I sat on a bench and watched the world go by. A few benches along, a man enjoyed the simple pleasures of slowly releasing rizlas into the gentle wind and watching them float away, one by one. A small boy ran up to a litter bin, regarded it fiercely for a second or two, declared it was “A well laid trap!” and ran off.

This was Welwyn, then, peaceful, gentle, prosperous, uncanny and preposterously hard to place.

The gardens sang with hedge trimmers and leaf blowers. Teams of orange-vested men combed down the rows of plump hedges, overlapping clatters and hums as council issue trimmers rose and fell to the same pitch. There wasn’t much point busking with them at work, so I wandered, quite at peace in gentle sunshine. My notebook and fiddle case drew the attention of a man in a trilby, who announced himself as Justin. He was also writing a book about England, and had caught the train that morning out of London on a whim.  He affected a false serenity, sitting on a bench with a studious calm that merely underlined an inherent restlessness. His was a semi-fictional epic and already 1000 pages without end in sight. It was difficult to watch someone struggling so hard to convince themselves they were relaxed. I wondered to what extent I was looking in a mirror.

“I’m enjoying the journey” he told me, and I believed him. Even a park bench in a foreign town was too much like settling down. He moved on and I never saw him again.

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The garden workers gradually arrived at the end of the final hedge and piled up on the concrete square before the shopping centre as if falling off the end of a conveyor belt, seemingly unsure what to do next. In the new found silence, I went for a busk, picking an odd corner between two walking paths. Welwyn is spacious to the point of being sparse, and you end up playing into the great void if you’re not careful. I learned to face the shops for the acoustic rather than stand in front of them. It went well. School children found change, mothers stopped to introduce youngsters to music. A jogger extended his exertions to perform an astonishing lycra clad sword dance right in front of me, jogging clearly having already rendered him far past the point of self consciousness.

Out of town insurance salesmen worked the street in small gangs, one a father and son combo, using the young lad to draw the attention of polite old ladies. It always looks like a confidence trick to me, even when it isn’t. I’m immediately mistrustful of street sales, and worried about the demographic they seemed to be targeting.

I made a decent £25 in a little over an hour at the end of the day and looked forward to the morning.

At 10am, my chosen spot was already occupied. A good sign, as if the locals played there, that meant I’d judged well. A guitarist called Paul was at work, and he sang with a wonderfully melodious voice that filled the open space. I got a coffee and listened. He was making enough for his train fare and he’d be off. Maybe an hour? No pressure from me. The gardens ask you to amble about, from one semi-formal section to another. Residential roads branch off, with vast hedges square and fat from decades of careful maintenance.

New towns are misjudged places. It’s the newness we hate, when the work is that of a designer, unsmoothed yet by the folk process of a thousand home-owners with different aesthetics, budgets, and priorities. A new new town jars the senses, and induces the same feeling of helplessness and unease that many find in IKEA or as I discovered in the strange village of Portmerion in Wales, where beautiful though it may be, the collision of oddity and conformity left me feeling like I was wandering uninvited through the architect’s mind, afraid to touch for fear of triggering some sort of chain reaction.

A single new house in an old town is immediately part of a warming diversity. A new estate, or whole new town is a great disconcertion, until enough people have lived in it to give it the natural diversity that calmness craves. Here, the formal gardens and plantings have grown imperfect and crooked. Welwyn has bedded in now. No two bits are quite the same any more, and that’s as it should be. In perfect newness, you are the impediment, the unanticipated rogue element detracting from the design ideal. In the diversity of a mature town, your oddness is just one among many, and not so likely to result in questions being asked, curtains twitching, officers of the state just ‘checking’ if everything is quite ok.

The humanising effect of time and countless cumulative little individual choices and acts of God have weathered the planned rigidity of the place and I liked it and felt unjudged. The long boulevard of gardens that split and lesson the roads, rendering them subservient to the walker were bright with birdsong. Catnip and lavender tumbled and bounced with countless excited bees. Roses were tidy and alert, and quietly tucked away, a woman sat sobbing on a bench.

I thought about asking if she was ok, but she’d hidden herself away and whatever her problems, it seemed unlikely to me that a big ginger bloke suddenly rocking up was going to be the answer.

Back in town, a traffic warden was writing a ticket for a BMW parked outside Costa on a double yellow line. A woman came running out;

“I’m sorry, I’m pregnant and I was desperate for the loo. Please don’t give me a ticket!”

And much to my surprise, the traffic warden said;

“Ok, that’s fair enough. Have a lovely day.” And destroyed the ticket.

Everything was just so. Smartly dressed and well scrubbed school children walked past, oblivious to the world, unafraid of any danger, their noses buried in novels. Even a beggar chose to address me formally;

“Excuse me sir, I don’t suppose that there’s any possibility that you could perhaps consider seeing if you could spare…” before arriving at the usual “…any change?”

It was all immaculate. The gardens in full summer bloom, full of pollinating insects, bright flowers, perfect hedges. Each shop a going concern with a decent hum of people. A kind and respectful populace making a good life for each other.

How I longed for a yob, a dickhead, a lager drinking oaf with a foul mouth. A heavily tattooed man in a vest with a volatile dog on a string. How I wanted to round a corner and see a pile of discarded bin bags and broken bottles, and to hear a vulgar, weed smelling car drive by with the windows down and something loudly distasteful on the stereo. But instead, another perfect day slowly unfolded before me.

Welwyn was not a town likely to spawn a musical genre, it seemed to me. I couldn’t feel that sharp edge that demands art be made. I saw no sign of the counter-culture, the unfeedable need to stir and provoke. But people are people, so where was it? I walked down another immaculate residential street and found myself imagining a different Welwyn within those private detached walls, where ever such nice people with perfect lives, successful children, diverse and fruitful pension portfolios, would close the door on another gentle, ripened day, and descend to colossal, perverted sex dungeons to exorcise the demon of self imposed repression. Consenting adults suspended in awful contraptions, hovering at the edge of sexual ecstasy, not quite able to reach the crossword puzzle. This person coming towards me, look at him in his nice jacket, almost certainly a massive pervert.

There must be something, surely? Otherwise what’s it all about? Where’s the spark of human curiosity?

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But as ever in my own wild fantasies, I was missing the point. I have a friend who lives in Milton Keynes. A creative, expressive, artistic friend, who needs her home to be a haven, with birdsong, walks in the trees and peace, so that re-charged, she can get out there and be her vibrant self.

Welwyn is like being on retreat. A mere half hour from London on the fast train, it’s a place of safety where folks can recharge their batteries in peace for another slog at it tomorrow. Where the elderly can retire in comfort and without worry. Where children can grow up safely, well educated, better able to chose where and when to push their boundaries as young adults away at university. The art will come, but perhaps elsewhere, and perhaps more survivably.

I had another busk, lasting nearly three hours till a very late lunch was enforced on me by fat summery drops of rain falling weightily from a humid sky. In that time I made £50 and saw plenty more of life. An old couple stopped by me for a chat. He was blind, having been a concert violinist and forced to give up due to no longer being able to read the page.

“But now I go to a folk group, and we improvise without the music. I’m learning again but I’m back in love with it.”

Were they happy in Welwyn?

“It’s a good place. London is just half an hour. We’re happy here.”

I wished them the best and decided not to ask if they had a sex dungeon.

I paid in my coins at the bank. The young black man behind the counter asked me about my music, and I asked him about life in Welwyn.

“It’s quiet here.” he said, thoughtfully, smiling to think of it.

“Good quiet?”

“Yeah.”

I made my way back to my car. Outside a very expensive townhouse, a young man carrying a picnic hamper and immediately followed by his girlfriend headed towards a top level Jaguar sports car they were surely far too young to be able to afford. Remarkably, both of them somehow managed to look exactly like Jarvis Cocker.

On the edge of the town centre, an old grain factory was completing a transformation into an art and information hub. I left this dreamlike perfection of English good taste in the uncanny valley and headed to my evening commitment. I’d been asked to give an after dinner speech for a business-person’s supper club at Missenden abbey, something of a new departure for me. But that’s a story for another day.


Thanks for taking the time to read this. My ‘Busk England’ project is entirely funded by what I make as I travel round. If you’ve enjoyed it, and would like to support me as I do this, please consider making a paypal tip to tom@tomkitching.co.uk or through the button in the archive – link here.

Blog archive

Treat it as you would a busker — a few coins in the hat all add up. Everything I get from this will be put back into the project. Ta!

Runcorn

I busked on what’s left of the old high street in Runcorn. A man striding by stopped, looked at me frowningly, then looked down at his watch like I was a large and unwelcome wood carving that had emerged from a Swiss clock and refused to go back inside. Three doors down, a ginger and white cat was watching me too. A small boy tried to pick it up, but it slipped through his fingers like liquid. The boy then aimed a kick up its arse, but sensing this, the cat turned and faced him, daring him to kick it in the face. The boy gently lowered his foot and ran off.

Men in high vis jackets began appearing, a few at first, then more until there was a constant stream, coming from the right and departing back again with pasties and bakes. They peaked around midday, food time for people who start early. This is the post-packed-lunch era now.

A bald, smiling man emerged from the furniture shop next door.

“Are you intending to play there all day?” It was a polite question, without edge.

“Well perhaps another half hour before I get some lunch.”

“Ah lovely. I know we all have a living to make.”

“Aye.” There was a moment of silence, as we both took a moment to appreciate the sunshine and the pleasant day.

“It’s just, perhaps after lunch, you could make yours over there.”

And he gestured to the other side of the road. Well fair enough. I did my half hour and had my sandwich.

Runcorn town centre is a shadow of its former self. The main street up to the canal basin is filled with substantial brick and stone built buildings, each with a chunky stone plaque hinting at a grand history. “The Mersey Power Co. Ltd.” or “Camden Buildings – 1810” and now home to a smattering of more modest tenants. Chinese takeaways, gas fitting shops, pizza. There are gaps, and the shrinkage of Runcorn’s centre has left it spacious and slightly incoherent. By the canal basin, the fine old Waterloo Hotel, now without the passing trade has instead become a Buddhist Temple. Down the slope towards the Mersey, rows of brick built terraces have been pulled aside to make way for the feet of the bridges.

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The expressway, the first continuous road link between Widnes and Runcorn, via the Silver Jubilee bridge, cuts through and over the town, carriageway far above, its blocky concrete feet cleanly splitting apart rows of terraces. It’s closed now, for the foreseeable, now the new bridge is open further inland, and there’s a strange sort of silence about the area. An area that grew used to having no sound of its own above the roar of the traffic and hasn’t yet found a new voice to fill the void. An abandoned teddy bear lay face down by a scruffy brick wall, amid the cigarette ends and dust. My ears focused on the few sounds there were. Drips from the closed road above me, and the cooing of the occasional pigeon, the ones who hadn’t died in the netting that ran across the underside of the road. Presumably there to discourage pigeons, it had instead trapped and collected a great many carcases which were now in various stages of decay. Eventually, I suppose, a point must come where each has rotted down enough that it can fall through the net to the ground in a shower of desiccated lumps.

Out over the river on the bridge itself, even the workmen seemed subdued and at peace. Occasionally, the sound of a single percussion tool rang out, as if one workman had offended the gods and been doomed to the Sisyphean task of renewing this great structure alone and for all time.

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Runcorn is a series of funnels to transport that is not there. The ferry long gone, same the transporter bridge, and the Silver Jubilee bridge closed until further notice. Roads lead to open water and closed bridges. The silence elevated the sounds that were present. The singing of metal as an electric train crossed from Widnes, the clunk of track joints you might have heard at one time replaced by the sparking howl of the continuous welded rail, the song of metal under tension.

I looked over the commemorative railings by the ship canal, causing a cormorant to honk and panic. Even going for a quiet walk here seemed like a thoughtless breach of the peace. Runcorn is once again adapting to another shifting in the course of its economic river.

Back in town I stuck my head in a charity shop. On a shelf were three ‘Big Mouth Billy Bass’ plaques in a row, the electronic singing fish that was briefly popular 20 years ago. Three was definitely much more fun than one, but I hadn’t made enough to justify that kind of purchase, and I’d tried to learn my lessons after the rubber duck episode in Brighton. I wondered if they would ever sell them. It seemed optimistic. 15 years ago, I’d have started all three off and run out of the shop quick, but age has reduced my bravado.

I couldn’t find a spot on the other side of the road, and the butcher made it clear he’d rather I didn’t start up near his shop, in the way that only a smiling and terribly polite man in a bloodied pinny holding a large cleaver can do, so I thought it better to explore Runcorn a little more instead. Designated as a new town in the 60s, Runcorn had suddenly doubled in size. The town hall was up the hill and I went to have a look. It looked like a New England colonial governor’s mansion. Round the back was a modern bit covered in ‘No Entry’ signs and a stiff, ceremonial garden.

Even further into the hinterlands is Runcorn Shopping city. The traveler emerges exhausted from the jungle, having hacked their way through dense trees and creepers for weeks, or having followed their satnav off the ring road and down into one of the car parks. Set in a natural bowl in the ground, fully enclosed and surrounded by mature trees, the shopping city has all the feel of a lost fortress in the jungle, perhaps in decline, shabby, but still very much alive and populated. Buses come in and depart on raised roadways, two stories above the ground. They might as well be drawbridges. From inside one of the bus termini, I could see how the natives might mount a successful defence of their city against invaders from Warrington or other vaguely rumoured foreign entities, only to later succumb to a terrible disease to which they had no resistance.

In this concrete tree-top world, the 1970s had not ended, but had instead been allowed to develop and bloom until it reached its natural pinnacle. This was the ultimate shopping centre, the purest expression of the form I have ever seen.

The shops are all on the first floor, above the car parks and delivery bays. You rise up an unmarked escalator to a lobby which has a sign of pure poetry.

This Entrance May Be

Closed Earlier Than

Normal

On Occasions Depending

Upon Circumstances

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The shops are arrayed in a large H formation, with busways at each corner, and elevated walkways leading to other parts of the new town, the police station, the courts, (Now closed) and the council offices. I think we can, after 5 decades, judge the new town of Runcorn to be a success. Old men met and talked, sitting at oversize lawn furniture in the central plaza, the ‘Community Square’. Some shops have been here so long they appear dynastic. Cafes and independents that have seen much come and go, and are rocks of stability to their customers.

runcorn (1)

I felt like I had when walking down the main street at Teotihuacan in Mexico, where an archaeological site was alive with people and pop-up shops. We get so bound up in the history that sometimes we miss the contemporary relevance of a place.

Our perception of place is so often linked to a contrived cultural sense of value rather than its actual utility, corporeal or spiritual. If a building is large, spacious and beautiful, we describe it as ‘Cathedralesque’. The Cathedral is our reference point, our number one. But why? Is it the perceived spirituality of the place implying a higher value? Cathedrals today are simplified places, reduced to an uneasy duality of worship and tourism. They are no longer naturally the heart of a community at a human level. This shopping centre could claim a far broader remit of human utility, and was every bit as remarkable a construction, forged as it was in the light of a new day dawning in our history where the aspiration of giving the common person a decent life was the motor that drove the concrete revolution.

Could one find spirituality in Wilkos? Maybe not in the truest sense, but the pursuit of money, and the best means to spend it are as coherent a doctrine for today’s society as the church’s message has been in the past. Here in the heart of the concrete temple, Wilko had a board outside the shop with this month’s suggested gardening activities, from veg, to lawn, to flowers. In the main square, staircases led to offices where security watched us and judged our actions. Those with the fob of admission the priests of our time. At 4.45pm, these high priests travel to the inner sanctum to turn off the WIFI so that the youths go home, their connection to god severed.

The one real problem with all this for me is that I couldn’t busk. The whole property is privately owned, and I have far fewer rights here than on a public street. I am bound by their code of conduct, to behave, keep quiet, and buy stuff. And I must leave at closing time. Of course I could just not come, but as more and more of places we might wish to visit are on land owned like this, that becomes a harder thing to do. I have no right of way here, no right to busk, no right to just hang around if they don’t want me here. Here those rights are left at the door of the temple like shoes. They’re still yours, but you can’t use them just now. The high street is a communal place, and the best of us understand that we should share it. The shopping centre is a monolithic space where we are subjugated by the act of our arrival. We are tolerated here, so long as we conform. The secular society took back rights from religion and handed them to citizens. One by one, we hand them back in return for a free parking space.

I left this concrete cathedral and drove across Runcorn to Weston Point, the residual docklands, where smaller, lesser ships heading up the Manchester ship canal unload their TEUs onto anonymous lorries that fan out across the North West. The Dockside pub was faded, the pub sign reduced by age and budgetary priority to an illegible oblong suspended above the pavement. Thankfully the dereliction and subsequent removal of neighbouring buildings had allowed them to paint ‘DOCKSIDE PUB’ in block letters down the openside wall. I lost my nerve and didn’t go in. I should have done.

Halton doesn’t really make sense. It’s a unitary authority of two towns that feel really very different from one another, and the shifting fortunes of the bridges have currently left rather remote. The new bridge is a masterpiece, confidently spanning the Mersey where it broadens out, not needing to find a pinch point. But it links the broader region together, not the towns. The M56 and M62 are flanked by massive logistics depots where the requirements of the North of England are meted and doled in countless equal HGVs. The new bridge serves them, those trails of diesel-powered worker ants that run from nest to nest and feed and furnish every home. Widnes and Runcorn seem somewhat secondary considerations, having lost their bridge, for now at least. A marriage of convenience living in unconnected wings of an over-large house, perhaps staring occasionally at one another from the distant ends of a preposterously long dining table.

But these are good places to live. There are jobs, friendly people, good shops, and if the culture seems a little lacking, Liverpool and Manchester are just down the road.


Thanks for taking the time to read this. My ‘Busk England’ project is entirely funded by what I make as I travel round. If you’ve enjoyed it, and would like to support me as I do this, please consider making a paypal tip to tom@tomkitching.co.uk or through the button in the archive – link here.

Blog archive

Treat it as you would a busker — a few coins in the hat all add up. Everything I get from this will be put back into the project. Ta!

 

Widnes

I walked in to Widnes town centre, passing a skip which contained a fully decorated Christmas tree standing neatly to attention in the middle. A couple of doors down the road, a man was holding an animated phone conversation. He wore no top, in defiance of the cold, rainy morning. In one hand he held what one might term as his conversation phone. Another phone was sitting on top of a low wall loudly playing music through little tinny speakers. His remaining hand held a cigarette, with which he was conducting an imaginary orchestra as he spoke. I lingered beside the festive skip for a moment to enjoy this alternative prom.

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The Widnes accent contains a strong twang of Scouse about it, although the average resident would certainly not consider themselves a Scouser at all, and be quite upset at the suggestion. There really are so many accents here on the M56/M62 corridor, where worlds collide. Scouse, Lancashire, Cheshire, Mancunian, and travel just a few miles over the border and you’re into Welsh speaking territory.  There’s nowhere else in the country where so many profoundly different accents persist in such a geographically confined area. Perhaps it’s because this area was basically empty till just a couple of hundred years ago, a void of just a few little villages in the great medieval emptiness between Macclesfield and Lancaster. Damp marshland, not much use for anything. Until cotton and coal anyway, when the dampness was suddenly perfect for keeping the fragile threads together as they were spun, with the coal of South Lancashire to drive the machines and warm the houses of the countless workers who were drawn here.

From Scotland they came, North Wales, Ireland, and beyond, to tend the machines, empty the ships, and hew the fuel, and their accents colliding together like strangely lumpen asteroids forming in an early solar system, in towns that once founded became immediately insular, too poverty ridden to travel, inwardly focussed. Enough work to survive, no money to move further. The Wigan and England rugby league captain, Sean O’Loughlin, a Wiganer, has to be subtitled when interviewed in Australia because his accent is too impenetrable.

Widnes has a different story though, one of chemicals. Growing on the banks of the already successful Sankey canal, an early attempt to bypass the worst lethal vagaries of the Mersey, and within striking distance by water of Cheshire’s vast salt extractions, it became the natural hub of the chemical industry.

I had a busk. There was one main shopping street with a couple of arcades running off it. Most of the shops were open, and finding the right spot wasn’t easy. Across from me, several cafes had decanted furniture onto the street, and coffee drinkers gave the town a relaxed, homely feel.

A man went past with a very large loudspeaker strapped to his back. He had long, untidy hair and a significant beard, and was lithe and stringy. In one hand he held a can of ‘Relentless’ and in the other he controlled a flawless sleek black-haired lurcher on a lead. His loudspeaker was playing R&B at top volume, and he leant forward in his stride to balance the weight. He was a one man carnival float, and we all stopped our day to watch him as he passed through, apparently oblivious. It is the modern thing to play your favourite music in the street, and today’s devices are much lighter and more accessible than the ghetto blasters of my youth, but a full blown PA marked a new escalation.

I searched for some lunch. A group of older lads stopped me.

“Heard you playing back there. Good stuff.”

It turned out one of them played some traditional music himself and we knew a few of the same people. We chatted about Widnes for a bit. None of them seemed especially proud of it, despite being born and bred. Some towns, local people will defend to the last breath, others, the harshest critics come from within. I wondered what caused the difference.

“What advice do you have for someone coming to Widnes?” I asked them.

“Avoid the women, they’re ugly.” one replied immediately, to laughter.

I didn’t laugh, and their laughter dissolved. They stared at their shoes for a second, before looking at one another.

“Mind you.” He continued thoughtfully. “We’re nothing special ourselves.”

“Tell you what,” said another, as the group rediscovered their confidence, “You need to go and see Eddie Perve and play him a tune. You’ll find him in the Derby pub. He’s fat, bald and has no sense of humour.”

“Yeah, he’d like that.” Said another

Was it a set up? I replied that I’d consider it.

I bought a sandwich and a pie and ate them outside a solicitors that specialised in defending dangerous dog cases. Having no further reason not to, I went to the Derby, just a few doors down from where I’d been busking. It was a large, cavernous, and well attended town pub. I looked through the windows for characters who matched the description I’d been given for Eddie Perve. There were a number of candidates. I imagined myself walking in, considered how I might discover which one was the real Eddie, but none of the approaches seemed a good idea. Maybe it was for the best. I went back to my playing. Rain had emptied the streets somewhat, but the acoustic was good and nobody seemed to mind. They never do in working class towns. There’s less of a sense of personal entitlement over the street.

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Widnes is a town whose story can be told in bridges. These days, its administered as a unitary authority alongside Runcorn, the town on the South flank of the Mersey. Just 2 miles apart as the crow flies, the towns began life as foreign entities, quite unconnected from one another. The railway bridge provided the first link, along with a ferry that was later split into two legs by the construction of the Manchester Ship Canal, forcing passengers to disembark and scale a wall half way across the water. This ferry was then replaced with the Transporter bridge, the largest ever attempted in Europe. The two towns were linked for good by the Silver Jubilee Bridge that finally allowed the continuous flow of traffic when it opened in 1961. Slowly, two towns that had nothing to do with one another were linked together until in 1998 they became the twin centres of Halton, a unitary authority. It’s a strange sort of marriage. A Lancashire town and a Cheshire town with very different histories co-existing across a great estuary.

Down at West Bank in Widnes, you can admire the bridges past and present. Past the chemical museum, ‘Catalyst’, and the re-wilded Spike Island where the chemical industry first seeded, you end up beneath the massive feet of the railway and road bridges, and perhaps on the foundation of the now demolished transporter bridge. These surviving bridges feed in high above on ramps that lead up from the distant town centre, leaving West Bank a strange peninsular where once it had been a destination and transit point. A careworn Greenalls pub, the Mersey, sits forgotten at the end of the road, discharging occasional old men for medicinal cigarettes, waiting for ships, ferries, transporter cars that don’t come any more. In the silence of the place and the moment you’re momentarily able to believe it’s 1959 again, when this pub marked the centre of the hourglass, though which every grain must pass.

I returned the next day to Widnes to carry on my efforts. The main street had a few other actors treading the boards today. One group were a bunch of rough lads aggressively handing out anti-bullying wristbands. Another group were gathered under an awning in the main street, wearing camouflage patterns and metal helmets.

“When was the last time you went paintballing?” They called at me cheerily as I went past. I couldn’t think of a quick answer so I scuttled on. I busked again, outside a chip shop that was still dormant at this early hour. It was a quiet morning, the wet weather dampening off the street and suppressing the characters. A kind man brought me a coffee from across the road, two sugars already stirred in, and then enthusiastically applauded each tune I played. I studied the street, wishing I had the wit of H.M.Bateman to so neatly tease the types out. I decided on 3 new types of non-giver to the busker’s collection to add to my earlier list.

1) The pocket panic-patter: The act of busking is to gently solicit money from those who pass by. For this person, there is no chance of that, but your unwelcome presence causes them to develop a pained look and to suddenly begin patting their body to ensure their wallet is still there,  as if the mere act of playing a tune is enough in itself to dislodge the contents and draw them through the air into your case. “That was a close one, it nearly got out.” they think, as they march away with forced haste, one controlling hand on the fickle money.

2) The false count out: As they walk towards you, they begin counting coins into their hand until they arrive at the amount you would be worth if you were any good. They then make eye contact, frown, and pop the coins back in their pocket as they stride past.

3) The near-miss asteroid: As NASA would undoubtedly tell us, these roaming objects present you with a double challenge. Firstly, you need to spot them, no easy task in the vastness of space, as they hurtle randomly and without reference to the predictable orbits of our familiar neighbours. Even if you spot one, how the heck to you stop it? Some people just have a direct path charted down the road, and the projecting neck of a fiddle isn’t going to cause them to deviate. All that remains to be done is to take avoiding action. Aloof, their trajectory is fixed, and is not negotiable. A busker cannot close their eyes for fear of an extinction event.

But it was overall a good morning, people were friendly, and I’d made £40 by lunchtime.

Widnes (3)

Outside the indoor market, the butchers shop had a loudspeaker broadcasting an entertaining monologue about the day’s special offers, so I sat by it for a while, until sausages came round again and it became clear that it was a pre-recorded loop. The meats went round and round until they became familiar and comforting. Sold, I went inside for a pie before heading off to meet an old friend of mine, Kim.

Kim is Widnes through and through. Her ambition is to write a novel for Mills and Boon, a genre of which she has many hundreds of examples at home. We discussed the finer points of this style of writing as we walked round Spike Island, a huge area of post industrial greenness between the Mersey and the first mile of the Sankey canal.  Eventually, the conversation moved on to Widnes, and life in a chemical town.

“I didn’t realise till recently that it wasn’t normal to have chemical drills at school.”

“How did they work?”

“The alarm went off every Friday, and you all had to run inside the building, and shut all the doors and windows. Pretty much the opposite of a fire drill.”

Upon adolescence, one might turn to drinking, whereupon the pint of choice was the ‘Fat Frog’, a Smirnoff Ice mixed with an orange Reef, and topped off with lager, enjoyed at ‘Top of the Town’, a now closed night club whose floors kept a tight hold of a loosely tied shoe. Widnes had calmed down a lot since then. There wasn’t much going on for younger people now.

Kim wanted to show me more of the wider district, and so we drove out to Fiddler’s Ferry, now perhaps better known for the power station, dominating the landscape, reaching the end of its days, coal giving way to other forms of electricity. We drove right by the base of the cooling towers I remember seeing jut out from the Mersey plain like little piscine teeth, when as a youngster I’d push my bike from Macclesfield all the way to the top of Cheshire ridge to freewheel right back to town. They were the limit of my world then, the last marker on the horizon before the world bent and belonged to someone else. Cheshire was my county even then, although I’d never been yet to the other side of it. It’s an accident of history that the transport links are North/South and I had no reason to ever visit Chester or the West of the County. But I knew it was mine, right up to the rising land of Wales and the cooling towers.

At Fiddler’s Ferry, as the name might imply, the Mersey is at its narrowest, and rows of funny little boats are kept up on another small isolated section of the Sankey canal. Without a theme, they’re like a packet of breakfast cereal where there’s one of every flake ever manufactured. The countryside rolls off towards the ridge at Frodsham, lush, alluvial, charming.

“Why does everyone talk Widnes down?” I asked. Nobody had a good word to say about the place. Ask any Widnes resident what they thought about the town, and most would tell you it was crap. But it wasn’t. Perhaps not the most exciting town I’ve ever been to, but the town centre is thriving, the shops are decent, and there’s enough work for everyone to get a job who wants one. Widnes is doing alright.

“Perhaps it’s the smell.” said Kim. “The chemical industry stinks when the wind blows the wrong way.”

“Nothing like as much as it used to.”

“I think we’re just a town with low self esteem. In the 80s we had the best rugby team in the world. We had Martin Offiah and Jonathon Davies. People were proud of it. The industry has slowly declined and the rugby team too. There’s nothing to really be proud of anymore. People have retired on good pensions but nothing new happens.”

“But there’s plenty of jobs, it seems ok?”

“We’ve got employment but does that make it a good town? There’s no culture. The Brindley is the arts centre but that’s in Runcorn.”

It was funny to think of Widnes, the chemical town, becoming Widnes the retirement centre. Eastbourne-upon-Mersey. I couldn’t quite imagine the deckchairs down the riverside just yet.

Perhaps part of the problem is that being a unitary authority, there’s one of everything for efficiency, and half of them are in Runcorn which is suddenly a pretty hard place to get to, now that the Jubilee bridge is shut.

On the outskirts of Widnes, there’s a sign pointing left to ‘Household Waste and Trampoline Park’, and then the route to the newest crossing, the Mersey Gateway bridge.

Widnes (1)

We passed a beauty shop billboard that offered the surprising juxtaposition of ‘Sun Beds and Nails’. It was the end of another day. Widnes had been interesting, but I felt I wouldn’t really understand the area fully without visiting Runcorn, the other half of this arranged marriage.

To be continued..


Thanks for taking the time to read this. My ‘Busk England’ project is entirely funded by what I make as I travel round. If you’ve enjoyed it, and would like to support me as I do this, please consider making a paypal tip to tom@tomkitching.co.uk or through the button in the archive – link here.

Blog archive

Treat it as you would a busker — a few coins in the hat all add up. Everything I get from this will be put back into the project. Ta!

Big update!

Book news, tour news, album news, and a special one-off concert.

The next week should be a big one for #BuskEngland. It’s starting to morph into a new phase. I’ve got a meeting on Wednesday with a publisher who has offered me terms on a publishing contract for the book, which is tremendously exciting.

The book and album are scheduled to be released in May. I’ve begun booking tour dates for May and June 2020 with 8 venues so far confirmed, and will try to get to as many of the places I’ve visited as I can. Please contact me if you’d like to put on a show in your area. The show is very flexible, and I’m game for most ideas!

I’m also going to be making a small podcast series to promote the tour, mixing readings from the book with music from the album. For the readings, I’ve booked the Guide Bridge Theatre in Ashton for Friday 27th September 2019 so that they can be recorded with a live audience. I’ve found from the test shows I’ve done so far that people really respond well to readings from the blog, and I believe that working with a live audience brings out the best in me. I’ve been asked by a few people if there could be an audio book version. That’s probably beyond me at this stage, but hopefully the podcast will go some way towards fulfilling this request.

This really will be a special one-off show, and I’d very much appreciate your support for it. You can book tickets here.

Tickets are £10 standard, or £3 if you’re skint. No questions asked. I really want a full room! The money will go to producing the podcast and paying the engineers, with any surplus going towards funding the album. If you’re coming, let me know if you have any favourites you’d like me to perform.

As for the album, I’ll be working again with the incredible Norwegian mandola player, Marit Fält, this time as a duo, creating a series of soundscapes to support the book. There’ll be a lot more on this part of the project later.

I’m also considering a kickstarter, primarily so I can pay the rent whilst I write the manuscript and record the album this autumn. I’m not funded by anyone other than you, the reader, and the generous people who put coins in my case. Other than the obvious things like pre-orders, if you can think of anything you’d like to see included in the kickstarter campaign, let me know.

Finally, there are a couple of chances to see me perform some of this material during the summer.

2nd August near Ashby in Leicestershire

19th August at ‘Pebbles’ in Watchet

As well as the theatre show mentioned above on September 27th.

I’m also doing a couple of private shows, including one as an after dinner speaker for a supper club! This project really has opened up a few new doors. I like dinner.

Although I’m moving more into producing the final product, still have a number of trips left to make. I’ve been to Widnes and Runcorn, and will be posting a blog on that trip very soon. I’ve got plans to busk in Welwyn Garden City and Watchet in next few weeks, and intend to visit Hull, the Potteries, Leicester, and a couple of other places before I finish. It’s not too late to tempt me towards adding another place to that list!

Finally, a big thank you to everyone who has helped make this happen so far. There have been so many people who have offered somewhere to stay, a meal, good local advice, or chipped into the cost of doing it. The sense of being supported by so many people all over the country, many of whom I hardly know, has been invaluable, and has really encouraged me to believe it’s something well worth doing. Thank you.

EF7E2BB2-01AE-41BF-98B6-3887D69ED85D


Thanks for taking the time to read this. My ‘Busk England’ project is entirely funded by what I make as I travel round. If you’ve enjoyed it, and would like to support me as I do this, please consider making a paypal tip to tom@tomkitching.co.uk or through the button in the archive – link here.

Blog archive

Treat it as you would a busker — a few coins in the hat all add up. Everything I get from this will be put back into the project. Ta!